It seems like I purchase items from camera auctions in "lots," and there is always a treasure hidden in the background that you either didn't notice at first, is hidden within all the photos of the items, or, in this case, the camera wasn't taken out of the case, and the case was obscured, so there was no visual evidence that the camera was.

 As I unwrapped the cameras won from the auction, one brown case caught my eye. It bore a striking resemblance to the Mamiya Six in my collection. But upon closer inspection, the name 'Minolta Six' was revealed. I initially thought it might be similar to the Mamiya Six, but the truth was far more exciting, as I'll reveal when I introduce the camera.

History:

In an earlier post, I did on the Minoltaflex CDS, I did a brief history of the company, which read, 

Kazuo Tashima founded Minolta in Osaka, Japan, in 1928 as Nichi-Doku Shashinki Shōten, which means Japanese-German Camera Shop. In 1931, the company updated its name to Minolta, which stands for Mechanism, Instruments, Optics, and Lenses by Tashima. In 1937, the company was reorganized as Chiyoda Kogaku Seikō, K.K. They are now introducing their first Twin Lens Reflex (TLR) camera, the MinoltaFlex, based on the German Rolleiflex cameras. The MinoltaFlex was only the second TLR introduced from Japan after the Prince Flex by Neumann & Heilemann. In 1947, Minolta introduced rangefinder cameras like the Minolta-35, and in 1959, the Single Lens Reflex (SLR) SR-1 camera. In later years, they signed agreements with Leica and came out with the first autofocus SLR, The Minolta Maxxum 7000, which carried on to several in their autofocus system.

 To expand slightly from the above text, in the early years, there was a big German influence on the Minolta company, which was known as Nichidoku Shashinki Shōten, which means Japanese, German camera shop. In the early years, the company received help from camera technicians Billy Neumann and Willy Heilemann, and the shutters and lenses were supplied from Germany. Their first camera was the Nicarette, which was released in 1929.

In 1931, the company was transformed into a stock corporation named Molta Gōshi-gaisha. Molta is an abbreviation of Mechanism, Optics, and Lenses by Tashima. Neumann and Heilemann left the company in 1932, returning to Germany to start their own company, and the German influence left with them. In 1933, the name Minolta was adopted. In 1937, the company became Chiyoda Kōgaku Seikō K.K and expanded the production of cameras into TLR and press cameras similar to the Plaubel Makina. 

 In 1940, the famous Minolta Rokkor lens was produced, but it was only used for the military. Consumer camera production ended in 1943 to concentrate on the war effort. Three of its four plants were destroyed by Allied forces during WWII. Soon after the war, Minolta released the Semi Minolta III, and throughout the 1950s, Minolta expanded its line of cameras to include folding cameras, TLRs, SLRs, and rangefinder cameras.

 In 1958, the SR-2 was released, and it was Minolta's first system camera. This reign of SLR system cameras included partnerships with Leitz in the 1970s, which helped produce CLE cameras. Minolta had a full line of autofocus cameras, the Maxxum line of bodies and lenses, and Minoltas final SLR camera ended in 1995 with their X-370.

 Minolta produced many different 35mm, APS, and DISC cameras and partnered with Konica in 2003, but by 2006, the camera company had discontinued camera production and relied heavily on the copier business.

My Camera:

Opening the case and looking at the camera for the first time, I was surprised by the Minolta logo and text on top. Since it was made in 1936, it has a genuine Art Deco design in the look and feel of the camera. My biggest surprise was when I initially pulled the lens out from the body and found the camera didn't have a cloth bellows. Instead, it has a series of stacking cubes that pull away from the camera body, AND these boxes are reinforced with another Art Deco element, metal brackets that resemble an "M" when the camera is laid on its back with the lens pointing up. WOW, Just a fantastic design.

The Minolta Six camera measures 6 inches in width, 4.75 inches in height with the finder up, 3.75 inches with the finder closed, and 4 inches in depth with the lens out, or 2.25 inches with the lens closed. It weighs 1 lb. 5.7oz. without the case or loaded with film. The camera's body is made from a bakelite or plastic material, covered in a high-quality leatherette.

 To pull the lens out to take photos, there are two grips, one on either side of the lens, that you grab onto to pull the lens out and away from the body. You need to expose three stacking cubes before the camera is ready to take the photos. Under the lens are two curved chrome bars you can slide down to prop the camera up so that when the lens is out, it doesn't tip forward and keeps the lens level.

Around the top of the lens is Patents-Nippon, and below is Crown, which is the shutter on the camera. The actual lens is an 80mm f5.6 Coronar Anastigmat Nippon lens. Around the lens is a manual focus ring that focuses from under 1 meter to infinity. The focus line to judge distance is a protruding tab with a line at approximately 10 O'Clock on the lens face. The lens also has a stopping screw that prevents the lens from rotating past the infinity mark on the tab.

My camera has only four shutter speeds: 1/150, 1/100, 1/50, and 1/25, along with "b" and "T" for timed exposures. On the top of the camera is a pop-up viewfinder with etched or lined crosshairs to line up horizontal or vertical subjects as needed. The back of my camera sports three red windows with different numbers, which are used to line up with the number on the paper backing to get to the proper frame number. In later cameras, they went to a single window system, which is more common with current 6x6 format cameras using 120 film.

To open the back of the camera, there is a latch behind the strap on the left side with an arrow pointing down. Slide the button down, and the camera's back opens. The chrome winding lever was used on the older models. Later they went to a plastic or bakelite knob in the later models. My first thought when I looked at the back of the camera was that it was not a full-frame 6x6 camera, but that was because I was looking at the retracted plastic cubes from the bellows. It is indeed a full 6x6 format camera. Load the film on the right side and bring the leader to the left to take up the spool. The knobs on the bottom of the camera pull out so you can put in the film and take up the reel easily.

 The case for my camera is in great condition. There's a pretty cool instruction tab on the inside of the case, which was made for the three window cameras.

 The crown shutter doesn't have a cocking mechanism. There's just the shutter release to take the photos. I loaded the film. I pulled out the cube below and started to take pictures of the neighborhood with my trusty light meter. Once I reached the end, I unloaded the film and processed the negatives.

My Results:

Here are some of the photos taken with the Minolta Six camera. The photos were a bit flat in exposure and contrast.

Conclusion:

I enjoyed shooting with the camera, but I am still primarily impressed with the innovative and beautiful bellows system in the camera. Not only is it functional, but it is very light and tight and only wears out slowly compared to the style bellows. The flip side is, if something happens to this bellows, the replacement is hard to replace due to the material. I wished there were faster shutter speeds, but I was using 125 iso film, and with the aperture range of the lens, I didn't have an issue.

 I have a great and fun camera for next week's blog post, so I hope you'll stick around to read that one, too. Thank you for your time, and please be safe until then.

Update:

According to Andrea Apra, who corrected and let me know initially, a small cardstock table was provided with this camera. This table was used to calculate the Depth of Field. The card I have in the case with the wrong translation is just instructions for using this table provided with the camera, which I don’t have.

The table has a horizontal scale at the top with the various distances on the focus ring: 7, 5, 3, 2, 1.5, 1 Mtr.

Then, on the vertical column, the diaphragm has various apertures: F 5.6, 6.3, 9, 12.5, 18, 25.

Two pairs of values, the minimum and maximum distance of the DoF, are intersecting at the table's intersection.

This explains how to read the table.

This is the text translated in its original graphic structure of the text.